Photo
1 year ago
letmypeopleshow:

Jackson’s Other Actions:
Over the course of his career Jackson Pollock made objects by carving stone, hammering copper, modeling papier-mâché, dipping wire in plaster, casting in sand, throwing and hand-molding clay, and whittling a cow bone, among other methods.
Yet though his action painting has been scrutinized, analyzed, dramatized, and even plasticized on limited-edition Crocs, his sculptures tend to be considered–-if they are considered at all-–as novelty items.
A new exhibition at Matthew Marks of two virtually unknown sand-casts by Pollock raises intriguing questions about how his sculptural objects relate to his paintings—and why they’ve been under the radar for so long.
Read more in my new web exclusive on ARTnews.com. 
Jackson Pollock, Untitled,1956, plaster, sand, gauze, and wire. © The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York / Courtesy Matthew Marks Gallery

letmypeopleshow:

Jackson’s Other Actions:

Over the course of his career Jackson Pollock made objects by carving stone, hammering copper, modeling papier-mâché, dipping wire in plaster, casting in sand, throwing and hand-molding clay, and whittling a cow bone, among other methods.

Yet though his action painting has been scrutinized, analyzed, dramatized, and even plasticized on limited-edition Crocs, his sculptures tend to be considered–-if they are considered at all-–as novelty items.

A new exhibition at Matthew Marks of two virtually unknown sand-casts by Pollock raises intriguing questions about how his sculptural objects relate to his paintings—and why they’ve been under the radar for so long.

Read more in my new web exclusive on ARTnews.com

Jackson Pollock, Untitled,1956, plaster, sand, gauze, and wire. © The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York / Courtesy Matthew Marks Gallery

(Source: letmypeopleshow)

Loading...